We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Windchimes

by Keith Fullerton Whitman

subscriber exclusive
1.
Windchimes 11:19
2.
Akimbo (1) 04:04
3.
Epoxy (1) 01:51
4.
Epoxy (2) 01:49
5.
Epoxy (3) 02:11
6.
7.
8.
Akimbo (2) 04:02
9.
10.
On (1) 04:44
11.
On (2) 04:17
12.
Errors (1) 01:46
13.
Errors (2) 01:27
14.
Errors (3) 03:22
15.
Errors (4) 01:15
16.
Errors (5) 00:45
17.
Errors (6) 02:16
18.
Errors (7) 02:53
19.
Errors (8) 03:57
20.
Errors (9) 07:02
21.
DJ Set (1) 18:46
22.
DJ Set (2) 21:28

about

Early 1999 DAT full of Hrvatski, DJ Hekla, & Gai/Jin tracks; let's break them down:

The first track, literally, is a recording of the wind chimes on the Reckankomplex porch, fed through a microphone into a Max-MSP live-processing array. I believe I was going for a Luc Ferrari "augmented reality" sort of thing; it's quite nice in retrospect. There's an early version of "Akimbo" from the "Eruption 1970" single, followed by three takes - all quite different, actually - of "Epoxy" from the "IDM" 7", followed by the individual intro, outro, and sound-bank of the final take of said, with the final "Akimbo" sandwiched in between.

Both takes of Gai/Jin's cover of "On" are here; this was recorded to a particularly awesome 4-track cassette machine called "The Polaris" that had a master motor-speed knob; each take here is at a different pitch. After that we get a nine-part suite of digital music produced by overloading the polyphony of an Akai S-2800 sampler; I believe the "Liquid Sky" soundtrack was running through my head around this time & that really isn't a bad reference point in retrospect.

In true DAT-calamity style, this drops out to what was on the tape prior to erasure; a DJ set of questionable provenance run through an old 80s Eventide Clockworks Harmonizer set to 50% / 1-octave down through a very long reverb, already in progress. I've included this here for curiosity's sake, although I can in no way prove or disprove the origins, if only to say it sounds very much like something I would have done. This is included as a bonus outside of the pro rata scheme; enjoy.

credits

released January 1, 1999

license

all rights reserved

tags

about

Keith Fullerton Whitman Brooklyn, New York

Keith Fullerton
Whitman is a

Composer & Performer of

Live Electronic
Music currently

living in

Brooklyn.

contact / help

Contact Keith Fullerton Whitman

Streaming and
Download help

Redeem code

Report this album or account

If you like Keith Fullerton Whitman, you may also like: